Category Archives: Musikgarten Teachers

10 Ways to Get Children Interested in Piano Lessons

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Introducing children to music is a rewarding experience, and children’s piano lessons can lay a strong foundation for their musical journey. Here are effective strategies to spark interest and keep kids engaged in their piano learning.

1. Start with the Right Mindset

Approach children’s piano lessons with enthusiasm. Share stories about the joys of playing or listening to music and how it positively impacts life. Your excitement can significantly influence your child’s attitude toward learning.

2. Create a Musical Environment

Transform your home into a musical space. Play various genres—classical, jazz, or pop—so your child can explore different styles. Early exposure to music enhances a child’s musical aptitude, as noted by the National Association for Music Education (NAfME).

3. Choose the Right Instrument

Ensure the piano or keyboard is accessible and inviting. Click here for tips on selecting the right keyboard for your child or children’s music classroom. If space or budget is an issue, a quality keyboard can still be effective. A comfortable instrument will encourage practice and make children’s piano lessons more enjoyable.

4. Find the Right Teacher

A skilled teacher can make a significant difference in children’s piano lessons. Look for instructors who specialize in teaching kids and have a reputation for making learning fun. Programs that begin at infancy with an emphasis on music and movement help to set the groundwork for an interest and aptitude for piano. 

5. Incorporate Fun and Games

Make learning fun by incorporating games. Games such as “find the black keys,” “name that rhythm or rest,” and name that familiar children’s tune can make learning fun. Engaging in music through play can help maintain their interest in children’s piano lessons. Group Piano lessons are a wonderful choice to make piano lessons fun because they incorporate notation games, repertoire pieces, sight-reading pieces, and opportunities for composing all in the joy of community.

6. Set Realistic Goals

Set achievable goals to help your child experience success. Starting with simple pieces and gradually increasing difficulty keeps motivation high. Celebrating small milestones is crucial for maintaining enthusiasm in children’s piano lessons.

7. Encourage Exploration

Allow your child to explore various musical styles. If they enjoy pop music, help them find arrangements of their favorite songs. This relevance makes learning feel more exciting and engaging, while also introducing them to other musical genres and cultures.

8. Be Involved

Show interest in your child’s learning by attending lessons and practicing together. Your involvement demonstrates the value of their education and can motivate them to put in more effort during children’s piano lessons.

9. Provide Opportunities for Performance

Look for early childhood music programs that include opportunities for your child to perform, whether in recitals or in class. If they are excited about their progress, ask if they would like to play at casual family gatherings. Performance can build confidence and make practice feel more rewarding.

10. Be Patient and Supportive

Learning an instrument takes time, so be patient. Encourage regular practice but also acknowledge frustrations. Remind your child that persistence is part of the journey, especially during children’s piano lessons.

Getting children interested in piano lessons involves encouragement, engagement, and a positive environment. By implementing these strategies, you can help your child develop a lifelong love for music through children’s piano lessons, enriching their lives in countless ways.

Leveraging Back to School for Your Children’s Music Studio

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As the back-to-school season approaches, children’s music studio owners can harness this time to reinvigorate their early childhood music programs and inspire students. This period offers a unique opportunity to leverage the excitement and anticipation surrounding a new school year. There are several ways in which music teachers can optimize this transition period.

1. Embrace the Excitement while Showcasing the Benefits of Music Education

The start of a new school year is a time filled with enthusiasm and potential. Music teachers should tap into this energy by emphasizing how their programs can complement and enhance children’s academic and social experiences.  Arts education fosters creativity and critical thinking, which are essential skills for academic success

Providing clear, accessible information about these benefits in newsletters, social media posts, and during school orientations are ways to reach out to parents during this often-hectic time. Highlighting testimonials from former students or success stories can also effectively communicate the value of children’s music programs. By highlighting these benefits, teachers can attract parents eager for their children to explore new opportunities and develop skills beyond the classroom.

2. Provide Caregivers Options with Music Programs

Parents might be particularly receptive to the benefits of music education during the back-to-school season. This may be especially true if older siblings will be in school or when pre-school hours do not occupy a full school day. New options for caregivers to spend quality time with their younger children while older siblings are away at school helps to fill the day while preparing them for traditional school. After school music programs can also help to fill in the gaps for working parents of older school-aged children.

3. Engage with the School Community

Building strong relationships within the school community can enhance the visibility and appeal of supplemental music classes. Working through organizations such as the PTA, music teachers should collaborate with academic classroom teachers to integrate music into broader school activities. For example, organizing a joint event where students perform at a school assembly or participate in a collaborative project can showcase the music program’s value and foster a sense of community.

4. Offer Introductory Workshops and Open Houses

The beginning of the school year is an excellent time to host introductory workshops or open houses. These events allow prospective students and parents to experience the music program firsthand. Such events can increase student enrollment and engagement by providing a direct, interactive experience . Music studio owners can offer mini-lessons, demonstrations, and hands-on activities to make these events engaging and informative.

5. Leverage Digital Tools and Social Media

In the digital age, utilizing social media and online platforms can greatly enhance outreach efforts. Music teachers should maintain active, engaging social media profiles to share updates, success stories, and upcoming events. Platforms like Instagram, Facebook, and TikTok can be used to showcase student performances, behind-the-scenes glimpses of rehearsals, and testimonials. Social media can effectively reach and engage parents, making it a valuable tool for promoting extracurricular activities.

6. Provide Opportunities for Student Leadership

Empowering returning students to take on leadership roles within the music program can foster a sense of ownership and responsibility. Encourage older or more experienced students to mentor newcomers, help assist with classes, or with organizing events. Student leadership can enhance personal growth and improve program outcomes. This approach not only builds a supportive community but also helps in developing important life skills.

7. Align with Other Organizations and Clubs

Finally, children’s music studio owners should explore partnerships with other organizations to support their programs. In addition to school related organizations such as the PTA or booster clubs, many parochial schools with after-school programs may be interested in partnering for a music activity. Children’s museums may be open to partnering on a topic themed music event or class. Engaging with these organizations can provide additional resources and bolster program sustainability.

By leveraging the back-to-school momentum and implementing these strategies, early childhood music studio owners can maximize their impact, attract new students, and enhance the overall success of their extra-curricular music programs.

A Remembrance – Audrey Sillick – 1921-2014

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Audrey Sillick was born in 1921, and was 92 years of age upon her death.  She had been ill for some time, but was able to live in her apartment in Toronto throughout the last years.  Friends accompanied and assisted her in the last days.

Audrey was born in England, and spent her childhood and youth in England, India and Switzerland.  Audrey’s years in India influenced her life greatly – learning to play by herself, outside in the wonderful world of nature; studying at a fine teacher’s college and meeting Maria Montessori during her time in India; spending countless hours observing, especially of the world of animals and children.

Audrey Sillick

After moving to Canada and spending years in the United States, Audrey joined the Montessori movement, becoming founder and director of the Toronto Montessori Teacher Training Institute in 1971.  Her particular areas of expertise concerned the role of movement in learning, the process of language acquisition and the understanding of the child in nature.  Audrey influenced innumerable Montessorians through the Institute, but also through speaking and teaching engagements throughout the Montessori Community. This included Renilda Montessori, granddaughter of Maria, who taught with Audrey and Lorna at the TMI.

Audrey’s teachings are central to Musikgarten, indeed her work has influenced countless early childhood music teachers and Montessori teachers. I met Audrey in the early 1980s. Having moved to Toronto after my recent marriage, I soon was asked to teach at the Toronto Montessori School and was sent to hear Audrey’s lectures at the Teacher Training Institute there, to become better acquainted with my new environment.

What a life-changing event that turned out to be!  Audrey’s lectures were fascinating, although at first, the approach was such a new world for me, I could hardly take notes fast enough!  From the beginning of our acquaintance Audrey’s message became a stronger and stronger component of my work in early childhood music.

For the authors, teacher trainers, and teachers in the Musikgarten community, our work is unthinkable without her.  She was the central influence that has made Musikgarten such a balanced curriculum.  Through Audrey we learned about the child, we learned about nature, we learned to observe, to include movement in all of our teaching … we learned to tell stories, to reintroduce poetry to young children …. We learned! 

Audrey believed in what she called ‘subversive’ education.  With that she meant was that you have the greatest influence, when you observe where your learner stands, and offer an environment of small steps to help the learner move forward.  I often tell the story of this ‘subversive’ effect on me.  In the 1980s I knew that what I learned from her was important –so I wrote it down and included the ‘Audrey speech’ in all of my workshops.  After a few years, while teaching in Panang in Malaysia, my husband was in the room for one of my speeches.  Afterwards he said to me, you are no longer talking about what Audrey says, it has so influenced you, the knowledge has become yours to also impart.  Audrey’s influence was slow and sure!

What are my favorite memories of Audrey?

  • That very first speech I invited her to give for the very first international meeting of early childhood music teachers which I held in 1984 in Toronto – the forerunner of the ECMMA! 
  • Working on our first publication in the late 1980s.  As Audrey always told the story, I stopped by her house one afternoon shortly after she had retired, and asked her to guide me ’a little’  That positive answer turned into a working gig = shared authorship –  which we enjoyed for over 20 years!  For the first publication we worked on a very early, very cranky computer!  But had much more fun training the blue jays to come to our window to get their supply of peanuts!
  • Celebrating Audrey’s 80th birthday together with the Musikgarten Teacher Trainers in Sedona, Arizona! 
  • Audrey’s young-child-in-a-snow-suit story, through which she had us laughing and crying at the New Jersey Convention in 1988.
  • Sitting on our deck in Greensboro, deciding what kind of sandwich we would each take along on our pretend picnic? And this was going to be in our new Musikgarten curriculum?

Audrey treasured the natural world and went to great lengths to help preserve it.  Audrey’s legacy is contained in the many teachers she trained, mentored, and through the Musikgarten curriculum.

Lorna Heyge, Musikgarten

Learning to Love Music as a Family – A Parent’s Guide

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Music has the remarkable ability to enrich our lives, touch our emotions, and provide a source of joy and inspiration. But, how do you learn to love music as a family. For parents, introducing their children to the world of music at an early age can be a rewarding and fulfilling experience. Not only does it foster cognitive growth and other developmental benefits, it also instills a lifelong appreciation for the arts. Here are just a few practical ways parents can actively participate in nurturing a love for music in their children, creating a foundation for a lifetime of musical enjoyment.

How Parents Can Encourage the Love of Music in their Kids

  1. Start Early with Musical Exposure – Begin by exposing your child to a variety of musical genres from a young age. Play different styles of music in the house, whether it’s classical, jazz, folk, gospel, or pop. This exposure helps children develop a broad musical palette and openness to diverse sounds.
  • Enroll in Music Classes – Many communities offer music classes for young children. These classes should incorporate singing, movement, drumming and the opportunity to play simple, age appropriate instruments. Parent participation in these classes is important for modeling and reinforcing the love of music.
Musikgarten Class - Children Taking Turns
Musikgarten Toddler Class
  • Provide Access to Instruments – Offer your child the opportunity to explore different musical instruments. Consider starting with simple, child-friendly instruments like maracas, sticks, or bells. Encourage creativity through musical play with your child, let them experiment with creating their own rhythms and melodies. This not only boosts creativity but also helps in developing a sense of musical expression.
  • Attend Live Performances – Take your child to live music performances, whether it’s a local school concert, a community band, or age-appropriate shows. Experiencing music in a live setting can be magical and captivating, sparking a deeper interest in the art form.
  • Become a Musical Advocate – Support music in your local school(s) and music organizations in your area, and have your child participate in volunteer events. Help music teachers with volunteer support and donations to help cover items not included in school budgets.

Nurturing a love for music in your child is a gift that lasts a lifetime. By incorporating music into their daily lives, providing hands-on experiences with instruments, and exposing them to a diverse range of musical styles, parents can cultivate a deep appreciation for the art form. Remember, the key is to participate to make the journey enjoyable and encourage your child to explore the vast and beautiful world of music.

Goal Setting for Teachers in the Childhood Music Classroom

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The annual turning of the calendar generates reflection of the year past as well as expectation for the year ahead. Whether we wish to or not, during this time we often go through a mental exercise of regrets and aspirations. When looking to improve our personal as well as professional lives in the new year, purposeful, formal, and written goal setting has been proven to be more effective in changing or improving behaviors.

A helpful way to accomplish this is by following the SMART goal acronym, reminding us that goals should be Specific, Measurable, Achievable, Relevant, and Time-Bound. For the early childhood music teacher, as with any educator, there are goals that will make the classroom more effective. But when that teacher is also the owner of a children’s music studio, there are also goals that regard the business. Each set of goals affects the other and combine to make a successful studio.

Goal Setting for Teachers (of any kind)

For educators, it’s important to always be learning and improving teaching practices. The tasks involved in this endeavor can be quite overwhelming. These simple recommendations may help to reach those goals without losing your mind in the process.

  • Get feedback from your students, parents, supervisors, and/or peers – Often times, what we perceive as needing improvement is unwarranted, while some other areas may not have even occurred to us.
  • Write your SMART goals and remind yourself every day – With the initial chaos that a new teaching period often brings, it’s easy to lose focus on things outside the classroom. Posting goals somewhere to be seen often helps keep you focused.

Goal Setting for the Children’s Music Studio (or any small business)

Managing a classroom is challenging enough without having to run and maintain a successful early childhood music studio. However, it’s important to put on your business owner’s hat and set goals for the studio as well.

  • Go through the same reflection and feedback process – While improvements to the classroom often coincide with business goals, other considerations such as cost or communication outside of the classroom should be considered.
  • Consider the functional areas of the business – As with any size organization, there are major functional areas that also affect small businesses – Management, Production/Operations, Finance/Accounting, and Marketing/Sales. There is a great deal of resources available to help understand and improve these areas.
  • Set growth goals and the marketing tactics to achieve them – Most business owners want to grow, but sustainable growth is paramount to success. Sell it first, then build it is an established business axiom. One shouldn’t hire new teachers without the students, or expand classroom space without the need.
  • Start small and build gradually – Many organizations try to go “too big, too fast,” which is why many small businesses fail within the first few years. Take a tip from the tortoise, slow and steady wins the race.

The new year brings new opportunities and hope for a brighter future. Focusing on fewer, yet specific, goals for the classroom and the early childhood music studio will help to ensure long term success.

Have Schools Been Teaching Music All Wrong?

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Even before the pandemic, music educators in schools had been lamenting about the budget cuts in the arts and how children’s music programs have suffered or even in some cases, disappeared. But the exodus and decline of music students in public education cannot be solely laid at the feet of budget cuts. For example, a seven-year study in Texas found an 80% drop out rate for band students, with the greatest attrition being between the first and second year of instruction.

Budget cuts notwithstanding, developing a love and knowledge of making music in children may have a larger systemic issue. Perhaps our approach to teaching music in schools is contributing to this decline. Have schools been teaching music all wrong?

Teaching Music to the test and not the student

In a series of New York Times articles, Grammy-award winning musician Sammy Miller argues that as with many other institutional education programs with standardized achievement testing, the same often applies to music programs.

Whether by choice or necessity, educators today often “teach to the test” so that achievement goals attached to funding can be reached. While the form of the achievement goal may be a bit different than in traditional classes, music instructors are often teaching to the Holiday Concert or Recital, where parents and administrators will see results. It is often said that music is a language, but many music programs are not teaching it that way. Much like language, music development should include listening, speaking (singing), reading, and writing. Emphasizing rigid reading and rote memorization misses the most important goal of a music program – to instill a lifelong love of music.

Teaching music like a language

It is not until pre-school age that many children are exposed to written language, although their vocabulary is already as many as a thousand words and phrases.

So how did they acquire this skill without formal instruction? By hearing language from their caregivers and siblings, repeating what they hear, and stumbling through ways to verbally (and physically) communicate. As their language develops, they begin to experience the joy of communication. It is not seen as a chore of rote memorization, but a feeling of community and connectiveness. Some early childhood music programs understand that teaching through musical communication establishes a foundation and understanding of the building blocks of music knowledge.

Many great pop music artists know that the secret of good music is simplicity in its foundation, with most chart-topping songs being a series of a few simple notes put together in a new and creative way. Approaching early childhood music education the same way we approach teaching language is a joyful way to instill a lifelong love and understanding of music.

What Makes a Good Early Childhood Music Program?

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The very title of this topic may seem provocative, as many childhood music educators and researchers have varying opinions on what makes a truly great children’s music instruction. There are various established and differing music teaching methods such as The Suzuki Method and The Orff Approach, or The Kodaly and Dalcroze methods. While some of these methods are more focused on the learning of an instrument, they all tend to share a core set of teaching principles. This is not a competitive comparison of any program versus another, but an analysis of the shared beliefs upon which most all music teachers and educators agree.

Core Principles of Children’s Music Education

Here are several basic, yet important tenants to teaching early childhood music education that can be found in nearly all successful children’s music programs:

Focus on the Child – This may seem blatantly obvious, but it is important to emphasize for all childhood educators not to lose the “forest from the trees,” by making the teaching method the center of attention instead of the child themselves. Focusing on the child requires a respect of each student and their individual learning journey. This important approach also touches on “Follow the Child,” one of the central principles of the celebrated Montessori teaching method. 

Music and Movement – Research suggests that encouraging movement at an early age helps to improve all kinds of cognitive as well as physical development. The area of the brain associated with motor control, the cerebellum, is also largely responsible for our learning process. The connection of both music and movement release endorphins in the brain, which helps to maintain interest and energy in a subject. Finally, movement helps children with beat perception and the development of rhythm, timing, and the motor control that will assist in music comprehension and learning an instrument.

Parental/Caregiver Involvement in Children’s Music Education – One principle shared by nearly all successful early childhood music programs is the importance of parental participation. This is often graphically represented as a triangular relationship between child, teacher, and parent. As one would suspect, the importance of parental involvement is not only beneficial to music learning, but all kinds of learning and early childhood development. Research has shown that, just as with traditional academics, parental involvement is particularly beneficial in early children’s music programs through observation and mimicry, helping to develop a better understanding of cultural ties to music, musical concepts, group social interaction, and motor skills development through the use of musical instruments.

Musikgarten Class
Parents during a Musikgarten class.

The most successful children’s music programs share several core principles that can be applied to nearly all early childhood learning. A Focus on the Child ensures that the approach respects the individuality and pace of learning that each child possesses. Music Combined with Movement helps with not only the mechanics of rhythm and timing of music, but also with cognitive aspects that encourage learning. Finally, Parental/Caregiver Involvement creates a triangular bond between teacher, child and parent which reinforces mimicry and a lifetime love of learning. All of these core principles combined with a carefully designed curriculum and supporting materials, are key to success for early childhood learning programs.

The Importance of Music for Happiness in Child Development

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This week marks the first official day of Spring, and for most people, Spring signifies awakening, renewal, and new growth. Most of us seem to be happier in Spring, and there is scientific evidence to support that. With longer and warmer days, the increased exposure to sunlight increases the production of serotonin “The Confidence Molecule” in the body, while decreasing the production of melatonin. That chemical change, along with the psychological change of being outside more, makes Spring a very happy time for most. As we would assume, happiness is very important for our emotional and physical health. But even more so, happiness in is key to healthy development in children.

While many factors contribute to the happiness of children, music is one factor that can have a very positive and lasting effect.

The Importance of Happiness in Childhood   

When most of us look upon childhood, we can remember a variety of events, activities, and people that evoke feelings of happiness, sadness, being frightened, or upset. While caregivers tend to put a great emphasis on the extent to which different influences or activities shape a child’s future success, research shows that memories of childhood are linked more to social events and activities than any solitary ones.

Adults are more likely to fondly remember social interaction at events such as a birthday party rather than the actual gifts they received. Happiness in childhood social interactions encourages kindness and good moral behavior, and helps to prevent tantrums, defiance and rebellious behavior. In addition, adults who reported higher levels of well being during childhood were more likely to report being satisfied with their adult life, including work, relationships and health. This should be no surprise, but caregivers often ponder over the best methods of providing children a happy environment. While the various factors are too many to list here, there is a distinct correlation between music and childhood happiness.

Music and Childhood Happiness

As we have explored in this blog before, music facilitates listening, learning, language development, independence, and initiative in children.

Music also helps reduce childhood anxiety and depression, while promoting healthy and restful sleep. All of these factors affect moods in children, and as a result, their developing outlook on life. Furthermore, early childhood music classes promote social interaction and cooperation, which as mentioned above is a key factor in memories of a happy childhood. Singing and playing together in a group provides the positive feelings of shared community and teamwork. Music increases the release of endorphins and dopamine in the brain, which play a role in closeness and connection with others. Exposure to music from the earliest stages of childhood increases a positive world outlook and happiness. Group early childhood music classes especially benefit a child’s well-being, as it becomes a way to practice cooperation, communication, and interaction with peers.

Spring is a time when nature seems to come awake in many ways, including more music. For example, Canaries stop singing every autumn when the brain cells responsible for song generation die, growing back in the winter months so the birds can sing their songs in Spring. While birdsong may not be a sign of happiness in birds, it certainly brings joy to many who hear it as the sun begins shining longer and brighter.

A Brief History of Group Piano Teaching

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Around this time last year, we presented a short history of the piano, tracing its most rudimentary origins as far back as the monochord in ancient Greece. Many piano historians, however, will point to Bartolemo Cristofri’s invention of the pianoforte as being the most prominent relative to the modern piano. But the evolution of the piano is only one part of why it remains an extremely popular instrument across the globe today. Throughout history piano teachers have spread the knowledge and love for the instrument, through one-on-one instruction as well as children’s music studio classes and programs.

Played Mostly by Women, yet Dictated by Men

In the early 1770s, keyboard instruments such as the harpsichord were played mostly by women and girls who were fortunate enough to come from wealthy families. As the pianoforte began to take over from the harpsichord, this population of talented women evolved along with the technical and commercial advances in the instrument. However, as was with most things in society at the time, men dominated the most lucrative aspects of music. Men were almost exclusively the only concert pianists, and as women were not allowed to attend university, men were considered the only suitable teachers and scholars for most subject matter of the time.  

The Earliest Piano Teaching Methods

In earliest days of piano instruction, the most prevalent method of teaching was the master/apprentice model. It is as such that Carl Czerny, a pupil of Beethoven, was the first to conceive and create an entire library of teaching pieces for piano based on numbering the fingers and creating exercises based on that numbering. In the mid to late 1800s, several other great piano teachers emerged, with somewhat different schools of thought to deal with the emerging trends in musical pieces but based on the “classic” or “old school” approach developed by Czerny. As the popularity of the piano grew and the need for more piano teachers rose, women began to teach piano. In fact, by 1861, it appears that sixty percent of all piano teachers in London were female.

The Emergence of Group Piano Teaching

 As the demand for piano instruction increased, teachers recognized the potential of teaching in groups. In the early 1800s, German Musician Johann Bernhardt Logier began instructing piano classes in groups. Often containing up to 30 students, these classes ranged from beginners to the more advanced. Educators from America and Europe attended Logier’s classes and then introduced group piano teaching to their own countries. Many famous nineteenth century pianists taught in a group class setting, including Liszt, Chopin, and Clara Schumann. It is believed that the first group piano classes in America can be traced to girls’ schools in the Southern United States. As the United States led the world in piano production in the early nineteen hundreds, elementary school group programs grew tremendously. Unfortunately, due to the depression, World War II, and the invention of the radio, school group piano programs suffered a serious decline.

The Electric Piano and the Internet

The introduction of the electric piano created a new opportunity for piano teachers and group classes. Because of their relatively small size and weight, teaching group piano became much more cost efficient. As with most industries, the Internet has had a substantial impact in how music instruction is distributed and marketed. While there are thousands of options to learn piano online, most professional musicians will point to the importance of in-person instruction for pianists (and other instruments) at all levels. As children’s group piano classes continue to be offered in person, the importance of that teacher pupil relationship is reminiscent of the very first piano teaching model of master and apprentice. 

How Music Instruction Reduces Screen Time for Kids

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Parents and teachers alike understand the challenges that screen time poses to children as well as adults. Prior to the Covid pandemic, kids ages 8-18 were spending up to 7.5 hours on average in front of a screen for entertainment. More than half of that time was spent watching television. COVID-19 and the lock-down made matters even worse. Despite the need to attend online classes for school, overall digital device usage increased by 5 hours, with adolescents averaging even higher at 8 hours a day.

As our children’s screen time has increased substantially over the past decade, the ill effects of it on the physical and mental well-being is being studied more and more. Pediatric health professionals and children’s educators alike highly recommend other means of entertainment for children to offset this epidemic. Children’s music education is one such means of entertainment that helps reduce screen time.

The Health Effects of Screen Time in Children

Children’s health professionals point to many issues that may arise in children that are exposed to an excessive amount of screen entertainment:

  • Impaired emotional and social intelligence.
  • Sleep deprivation and disturbed sleep cycles.
  • Mood problems such as irritability, depression, anxiety, and ADHD.
  • Poor self-image, weight problems, and body image issues.
  • Vision issues such as eye strain and myopia.
  • Neck pain and carpal tunnel syndrome.
  • Social isolation and fear of missing out (FOMO).
  • Phantom Vibration Syndrome, where a person imagines their phone is ringing or vibrating when it’s actually not.
  • Obsessive, excessive, compulsive, and impulsive use of digital devices.

Children’s Music Education to Reduce Screen Time

Pediatric health care professionals recommend exposing children to other activities to reduce their screen time as well as increase their interests in other entertainment. Teachers of children’s music education have long known the positive impacts that music classes have on a child’s well-being during their developmental years and beyond:

It is clear that as technology increases at a greater and greater rate, it will compete for the attention of humans in developed societies. Children are even more susceptible to the negative impacts of excessive screen time in their developmental years. Supplemental music lessons offer an alternative to screen time while providing all of the benefits that music instruction offers to kids – including self-imposed limitation of screen time; increased problem-solving skills, time management and prioritization; increased self-awareness and social skills, and more.